![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtow1oZKcv1r-NO_P1xXJSGQMTkoeLN4MkShNO1SXekTe2hza2JdfIYagIUxV2bTM973phojLQtSlsk1nM5TK7CC6ivG5w3UOTk6qJAmMmR_eP3to7jnrhgZYTeCYXa11T2n9RZxM7utY/s400/IMG_2329.JPG)
Another way to manage changes to inaccessible areas is to lay down waxed paper - this makes it possible to step or put weight on the painting without smudging.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHNYaIPuSzfGmu7s2wTXtfBBYiKzdrLRF-9do4S3aTXgiobPTjCPj4EYHs52X8dGYfxsuTSb-FWKr6p8nCbBTsEhu3hsFdc3nqa8vq_cAcdrTBlsOQVKWphWd0Fd8rLcxcSH5pGXjbM88/s400/IMG_2331.JPG)
I also found that if I stood on the arm of the couch and made a digital image I could reduce the composition and come closer to the overall effect of stepping back at a greater distance. The reducing glass was too small for this usage.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4R7RAnuf5CDeu7eVpRTOkvHPtvpu8AbdZVg3rUUpmcu4UznZWnuS4ikVkxOY8yJminXV5HQrpnJIgalbrZy0kgF0IwYqVVb7QGfSbe5J-764NsB-m_DuSSxEUT2wAb0xvJ2S6buRCk8E/s400/IMG_2348.JPG)
Still, I had no real idea how things would look when the panels were at 90 degrees from the floor and at the other end of a big room - my studio is only about 18' long and not wide enough for all three to hang up together completely successfully.
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