“Fascinating,” says Marblehead artist D.L. Kaulbach, referring to her brainchild, “The Green Show,” as its 127 submissions are hung on the walls in the King Hooper Mansion.
Utilizing items made from organic fabrics, recycled textiles, handmade paper products and “found” items, “The Green Show: Reduce, Reuse, Recycle” exhibit is creating an eco-buzz from Marblehead to Salem.
After last year’s successful collaboration with the Salem Arts Association in the exhibit “Art by Association,” the two towns are once again joining forces in “The Green Show,” currently on display in the Marblehead Arts Association, 8 Hooper St. in Marblehead, through April 26. The reason the collaborative show is at the MAA is because it has more space to accommodate the large number of pieces in the exhibit, unlike the SAA, whose space at Artist’s Row won’t even open until May 22, and even then will be small — for now.
Says SAA Director Gary LaParl, “Our dream is to have our own space in the near future. When we get our own space, we hope to invite MAA artist-members.
MAA Director Deborah Greel says she is more than happy to team up with the SAA to attract interest from “organizations that advocate for the environment in this very timely exhibit.”
This is the fourth collaboration between the two arts associations, following “Artists Healed” and “Dancing with the Arts.”
“After last year’s success, we knew we wanted to do another one,” LaParl says.
When Kaulbach, an artist member of both organizations, took her new idea to Greel, she was given the “green light” to request artist submissions.
“We’d been talking about ‘green’ since last summer,” says LaParl. “Since Earth Day is in April, we wanted to tie it in with that.”
Salem and Marblehead Arts members’ works now decorate the King Hooper Mansion, creating quite an eco-conscious offering.
Each room in the Mansion has a unique theme, such as “Nature at its Best” on the first floor in the Parlor Gallery. This is where you’ll find landscapes and seascapes by artists Rita Hamill of Manchester and Kaulbach. Head to the back kitchen area and you’ll enter a room filled with artwork “Detrimental to the Environment.” Pieces such as John Wathne’s “High Tide” oil painting of the Prudential building half underwater will shock you, as will the polar bear with CO2 in the atmosphere and plastic in a pond, titled “Don’t Foul With the Fowl” — all self-explanatory pieces.
Upstairs in the ballroom, certain pieces stand out, such as Holly Aloha Jaynes’ “Wild Woman of the Beach,” which she created with “found” trash. The life-size “Frankenstein-like” creation was made from various materials Jaynes had accumulated by scouring trash left on Marblehead beaches. Jaynes has been working in object art for many years, with a long-standing attraction to rust.
“Rusty items, rusty nails… I work on paintings with rust,” she says of the material for which she began to look on the beach and use in response to the tragedy of 9-11. “Kali Ma,” she says, “is the goddess of destruction and recreation. She’s a fierce goddess with a garment belt of skulls, which symbolize destruction.”
She felt her work helped bring clarity and peace from the fear and chaos in the world.
After painting the powerful contrast of dark goddess on rust, which Jaynes says “looked like a goddess with four arms in a fire – of which men in particular are afraid,” she began to notice other odds and ends left on the beaches in Marblehead.
She began collecting lost pacifiers, shoes, gloves and, most recently, what she believed to be false teeth. But after careful inspection, they turned out to be fake rubber teeth — with little skulls on them.
“I may add these to the ‘Wild Woman,” if it fits,” she says.
“Wild Woman” is a work in process, says Jaynes, and unless sold during “The Green Show,” she will continue to add objects until the womanly form is completely covered.
The idea to create this female form donned with trash began with a yellow rope she found on the beach.
“It inspired the creation of a yellow rope skirt,” she says, adding that many more unique objects hang from “Wild Woman’s” belt, including a medicine pouch.
For aesthetic purposes, Jaynes decided to incorporate the colors of the rainbow on the lady, beginning with red Tootsie Pop wrappers and old Christmas ribbon found from former tree burnings on Riverhead Beach for the upper torso, working her way down with orange and yellow for the rope skirt and one leg in blue, another leg in purple — and green, of course.
The objects she found most often were bottle caps in various colors, which she uses throughout the form, as well as pieces of shovels, pails or any broken object. Oh, and baby pacifiers.
“I find a lot of pacifiers,” she says. “But I’ve only found one set of false teeth with skulls on it.”
One object she has found a lot of -- Butane lighters, from which she made necklaces and bracelets. But she couldn’t use them on “Wild Woman,” lest she create a fire hazard.
When the exhibit was first announced, Jaynes knew “Wild Woman” would be a good fit for “The Green Show.” The large, vibrant piece is shocking, as it leaves a lasting impression of just how much trash is on the beach.
“But,” notes Jaynes, “a lot of the trash probably floats in from the ocean.”
She considers the found objects to be symbolic of a disposable society.
“A child gets a toy, plays with it a bit, then tosses it,” she explains. “Even teenagers toss bottles, hence the abundance of found bottle caps.”
For LaParl, his eyes were drawn to artwork upstairs on the piano, where cut-up books were reassembled to form a piece of art. And then there’s the Scrabble game on the wall, with environmentally correct terms spelled out.
Through this exhibit, Kaulbach has raised eco-consciousness through found beauty in ordinary objects, painful confrontations and, yes, even natural beauty seemingly unspoiled.
In addition to being an SAA and MAA artist member, Kaulbach is, no doubt, an environmental advocate. In addition to bringing together the artists, she has also reached out to other organizations that are working to help protect and sustain our natural resources. At Sunday’s opening reception, the Marblehead Recycling Committee, the Marblehead Nature Conservancy, the Farmers Market and the Trustees of the Reservations offered information about their programs, and there was a raffle for a composter and recycle bins. Even the National Grand bank joined in as a sponsor for grocery “re-bag” giveaways.
Adding to the beauty of all things “green,” Kaulbach invited three floral designers: Bev Bucknam, Nancy Farrell and Joan Schlueter from the Cottage Gardeners (the organization that cares for the King Hooper Garden) to interpret works of art through floral displays, which decorate the mansion with greens to compliment the exhibit.
Now that spring is upon us and the outside is once again turning green, it’s the perfect time to stop in to check out “The Green Show.”
Creativity and Shamanism classes for the summer of 2009 have begun - 
Combining visioning, healing and creation of reality through drawing, painting and collage mediums, in this workshop series students also receive basic attunements and begin to assemble personal mesas in the Peruvian shamanic tradition. 
One student's creating of his emerging from sadness and taking wing.
A depiction of the quadrants of a student's life showed desired future states of being, accomplishments, relationships and events. These began to be noticed in her physical reality in the months following their detailed envisioning in the large painting/collage in progress, above.
Grounding in the land by connecting to the voices of nature and spirit is essential to this work.
Here natural elements are assembled symbolically to acknowledge, celebrate and create into physical reality. These outdoor mandalas, or sand paintings, are places for interaction with and intervention by spirit.
Despachos, or gifts of prayer and gratitude to spirit are created to maintain balance and observe reciprocity, or ayni, by giving in proportion to that which is received. In this case prayers and intentions are offered for the birth of a baby. 
Here prayers for a safe journey are offered in a despacho.
An outdoor mandala commemorates the physical death and facilitates the transition of a married couple.
A ceremony to create and maintain energetic ties, or ceke lines, between two lovers separated by geographic distance.
