Monday, April 23, 2012
Exhibitions 2011
Solo Exhibition Attleboro Museum
(fine art prints available)
Textile & Pastels In Provincetown Green Arts Festival
Full Moon Flood, pastel on paper, 21" H x 18" W
(fine art prints available)
Three pieces - textile and pastel - were chosen by the Provincetown Conservation Trust for exhibit at Appearances, Provincetown's 2011 Green Arts Festival. The multimedia, interactive exhibit was displayed throughout the city from April 15-2.
Life Art Heart Expo
Trees Embrace, pastel on paper, 33.5" H x 26" W
Lovers of art and spirituality celebrated a day of art exhibits and talks by healers, philosophers, and experts in many areas of spiritual study. June 11, 2011.
Solo Exhibition Bentley University
Illinois Women Artists Project
Friday, July 2, 2010
EARTH, WATER & SKY
Prints of Carol Dearborn pastel EARTH, WATER & SKY - a triptych depicting the confluence of the three elements on whose balance global sufficiency and sustainability depend - formed the backdrop for the 2010 Global Sufficiency Summit at MIT in Cambridge, MA.
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SACRED PLACES / DIVINE BEINGS
Tuesday, July 14, 2009
CREATIVITY AND SHAMANISM, 2009 Series I
Creativity and Shamanism
2009 SERIES I
For thousands of years shamans have used art to bring about healing and manifest their visions in the world. What we might call abundance or sufficiency is the model for the universe as they know it, one in which love, gratitude and joy prevail, human life is in respectful balance with the natural world, there is always enough in Source, and every life form – including rivers, mountains and stars - is honored.
In these classes we follow shamanic customs to make ourselves available to new levels of creative awareness, vision, power and possibility. Using the tools of visual art and elements of our natural surroundings we explore our unlimited capability to imagine and co-create new physical realities for our personal lives and for Earth. Our creations become places to observe spirit intervention and guidance as well as permanent locales of healing in the land and in our hearts.
Combining visioning, healing and creation of reality through drawing, painting and collage mediums, in this workshop series students also receive basic attunements and begin to assemble personal mesas in the Peruvian shamanic tradition.
A depiction of the quadrants of a student's life showed desired future states of being, accomplishments, relationships and events. These began to be noticed in her physical reality in the months following their detailed envisioning in the large painting/collage in progress, above.
Grounding in the land by connecting to the voices of nature and spirit is essential to this work.
Here natural elements are assembled symbolically to acknowledge, celebrate and create into physical reality. These outdoor mandalas, or sand paintings, are places for interaction with and intervention by spirit.
Here prayers for a safe journey are offered in a despacho.
An outdoor mandala commemorates the physical death and facilitates the transition of a married couple.
A ceremony to create and maintain energetic ties, or ceke lines, between two lovers separated by geographic distance.
PLEIN AIR EXHIBITION: Historic Gardens of Salem, July 11 & 12, 2009
I found a shady spot at the end of the garden with an Italianate urn of geraniums and settled in for a few hours. Sadly, my speed in painting also pales in comparison to that of grandmother Anita, many of whose watercolors bear notes about the scene painted and the circumstances, along with her signature and, often, "15-min. sketch." Her 15-min. sketches are just as realized as my 2 or 3 hour ones! Think the lesson of the day may be not to compare oneself to ancestors...
Looking back toward the main house at 37 Chestnut.
A three-hundred-year-old apple tree next door...
Sunday afternoon I moved to number 3 Hamilton Street to paint in the gardens of a Colonial Revival house, built apparently in 1927, although one would never guess it wasn't 200 years old. The exquisite gardens around this house are largely perennial, with details like seashell paths and walls covered in clematis.
I tried again to find a shady spot, and settled on a sweet, ivy-lined brick pathway toward the back of the house. The sun came and went under gigantic clouds but I was able to catch some of the shadows of ferns on the brick.
The finished painting sold - a gratifying end to my summer garden tour experience.